RHYTHM LOGISTICS – “the movement that is rhythm”

Rhythm Logistics (Alex Jann) has come a long way in the last 8 years within the UK techno scene.

He is a Producer/DJ/Engineer based in the south of the UK.

Alex has come up through the ranks of the UK party scene with hard working party heads the Section 63 crew. Which has made him witness many different angles on the scene; from the days of multi-rig / multi-day parties and festivals all around the UK and Europe, to the perfectionism that is induced from carefully planned and professionally produced club nights that the team and he are involved in.

Whether it be hard, Jackin’, slow, funky, heart-stopping or just plain out there, his style is ever changing to the floors his music fills. It varies from the very pure clean edge, to the pounding relentless side of the powerful and emotive genre that is modern techno.

His taste for a certain kind of tough, rolling yet funky dancefloor sound comes from nearly a decade DJing in the UKs vibrant underground scene, both as promoter, player, mover and shaker for the notorious Section 63 Soundsystem, and as a guest for events and systems including Tribe of Munt, Manik, Malfeuteurs, Technosis, Tribal Medicine, Gener8er and the Teknotribe crew in South Africa.

Not content with playing other peoples records, Rhythm Logistics has been locked away in the studio perfecting his sound which has already been picked up by the likes of Glenn Wilson’s ‘Template’ label as well as the Stay up Forever crew’s ‘Wah Wah’ and has also seen regular work with the North Wales Fat Collective of artists on labels including ‘More Punk Than Funk’ and ‘Bandwagon Beats.’

Now with a massive arsenal of tracks behind him, Rhythm Logistics and his new label (that he owns and runs with close Barcelona-based friend Ian Hendrix) Agro records are ready to cause some serious war on the dancefloor and over the coming months you can lock into some serious beats spanning the entire Techno spectrum whether its the kind of relentless juggernaut of a groove that we’ve come to expect, or more of an out-there, wonky funk.